Brian's Morning Newsletter
February 24th 2010
Good Morning
As you can see I apparently have no fear of starting something new. It seems that I can not let an inspiring image go, without considering the possibility that I might be able to give it a try. Like I said, I love the transparency technique. I also love the shape of women. While there certain parts of the human form I am comfortable with, I really felt the challenge with this painting was going to be the hands and faces. I worked on both late last night, well late for us is ten O'clock. Unfortunately, the batteries in our camera went kaput before I could hook it up to the PC and download the picture. They are on the charger now. I should be able to update the above image before I hit send.
Obviously, there still is a lot of work to do on my Absinthe Dreamer painting, but my primary concern are the faces, and hands. I know I can do better. I see how minute changes affect the painting. I need a skin-tone color for my dreamer, at the moment he looks like a zombie; with ashen skin. Using a hair-dryer I'm able to keep working on a particular section without unduly mixing colors. It absolutely amazes me when one dab of paint immediately causes an effect to work. A little dab of a light color on the forehead, and what was a two-dimensional shape begins to rise off the page. It is the same with the hands. I'm especially interested in the green fairy's one visible hand which is on the table.

In a quick search of the painter's name, I found and will post more information about this style of artwork. Olivia belonged to a group called Bohemian artists, because of where they were from.
If I were to think about it, I would probably quit before I began, especially difficult in my mind will be the hands. But then I tried it, with reasonable result. Encouraged, I thought about what I liked, what worked and as usual set the preliminary work under the light of our dinning table and stepped back to look at the work. Standing at a distance and looking at my work has been the most important encouragement for me. I can see the general effect of the painting minus the details. Somehow I imagine that in order to move ahead knowing I'm an amateur I need to not dwell on the details, at least not get hung up on things that don't seem to work.
I guess I'm using the same philosophy in my general outlook on life as I am with my painting.
Look for the good stuff in life and go after the things that work for me.
Brian Rodgers
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History of Viktor Oliva
Viktor Oliva was a fantastic drawer, illustrator, and painter born in Nove Strašecí, Bohemia, Austia-Hungary 24th April, 1861. His main style was Art Nouveau. At the age of 17 he attended the Prague Academy of Art and studied under Františka Sequense, whom respected his work greatly. He then continued his studies at the Munich Academy.
Then in 1888 he was drawn to the Montmartre area of Paris to be part of the ever rapidly expanding artistic community there. He lived there for some years and became good friends with other "Bohemian Parisiens" such as Luděk Marold, Mikoláš Aleš, Jakub Arbes, and Karel Vítězslav Mašek. This group of actual Bohemians (from Bohemia) were right in the heat of the "Bohemian Revolution".
His art greatly improved in such a richly artistic environment. Here is where he discovered the joy of Absinthe. He also greatly loved the exhilaration of ballooning. They all held very true to the ideals that the Artistic Bohemians believed in. They all lived and worked there for several years before returning to their home in true Bohemia.
In 1897 he was given the job of Images Editor at the very popular Czech language magazine Zlatá Praha (Golden Prague). He held this job for 19 years! Shortly after he started work there, he married a lovely girl named Anna Adamcova who was enamored with his talent. Not long after that, she gave birth to his son Viktor Oliva Jr. (also was an aspiring artist). Sadly, their marriage didn't last long, as Anna ran away with a singer named Mařák. He was still able to spend some time with his son, which brought him very much joy.
Over the next quarter century, he was very prolific in his work. He spent a lot of time with his extremely worldly best friend Josef Kořenský (a true world traveler at a time when this was incredibly difficult). He was commissioned to create many dramatic works including the ceilings of several buildings in Bohemia. He also had several works hanging in his favorite cafe, Kavárna Slavia (Cafe Slavia, which now still has his most famous work "Piják absintu" hanging proudly inside).
He was profiled in Český Svět magazine (a Czech lifestyle magazine like People and Time) in 1926, two years before his death. Here is a translation of the text:
"Anniversary of the life (65th birthday) of such a kind and likeable artist sets our memories well back – to the end of the 1880´s – when the very young artist Oliva began to help with artistic decoration of Czech books with such an elegance and charm, that he soon became one of the most famous Czech illustrators up there with [Luděk] Marold, for example.
He's done illustrations for several books of Sv. Čech, J. Neruda, Rais, Třebízský, Kronbauer – those were published for almost two decades with Victor Oliva´s illustrations. As well as numerous of other books as one of the first Czech artists in that area. Much of his work, his credits, are still underrated and sometimes even forgotten.
We know Mr. Oliva as well as a landscape drawer and figure artist, of very high quality and duality – huge canvases of his hang in Café Slavia, the walls of buildings on beautiful Slavic Island, and Mestanska Beseda in Pilsen. They are still able to capture you with strong emotions and beautiful performance.
Currently, he is still busy with his art and we hope he will soon surprise us with some exhibition of his older as well as newer paintings.
Oliva used to be in a group of artists such as [Mikoláš] Aleš, [Jakub] Arbes, and others who knew how to live and had unusually good, noble hearts.
Oliva is still a respected citizen not only for his art, but also for his social interactions."
He died on 5th April, 1928 in Prague. He was buried in Olšanské Cemetery in area for famous artists.
Timeline of major events in his life:
1861 Born Nové Straseci
1878 Prague's Academy of Art
1880s? Munich Academy
1888 Lived in Paris
1891 August 27, Balloonist crew with Louise Godard described in book "From Prague to the Baltic Sea by balloon" by J.R.Vilimek
1897-1916 Zlata Praha (Otto's publishing company)
Married Anna Andomcova
1898 Son Viktor Oliva Jr.
Left him for singer Mařák
1926 Profiled in Cesky Svet
1928 Died Prague
Buried in Olšanské Cemetery in area for famous artists.
Noteable Friends:
Josef Kořenský – World traveler whom Oliva illustrated books for.
Luděk Marold – Artist
Mikoláš Aleš – Artist
Jakub Arbes – Artist
Karel Vítězslav Mašek – Artist
Rehearsals for a Civil War
By James Howard Kunstler
on February 22, 2010 7:06 AM
Amid the general incoherence of the Tea Party rebels and the failure of progressives to recognize the structural changes underway in a peak oil world, lies a deadly swamp of paradox where all parties may drown in the quicksand of their own muddled intentions.
The Tea Party appeals to the swelling numbers of the new former middle class angry at the sudden vanishing of their accustomed perqs and entitlements to a predictably comfortable suburban existence. They're mad at the government and hot for "liberty." But how do they propose to maintain the hyper-complexities of suburban life without taxes to pay for fixing the countless roads their lives depend on or to run the gold-plated central school districts that seem to exist solely to provide Friday night football? As for liberty, a handful of despotic corporations from McDonalds to WalMart have been granted the liberty to destroy the Tea-bagger's bodies and the economic fabric of their communities — and they seem to want more of that kind of liberty, based on the recent decision of a "conservative" majority on the Supreme Court allowing corporations to buy elections. The Tea-baggers also apparently crave the liberty to push other people around, especially on questions of abortion and religion. That's an interesting kind of freedom.
As more and more of them lose jobs and incomes, will they resent their government-issued extended unemployment benefits? I doubt that you'll see them burning their own checks in big public demonstrations the way the Vietnam War protesters burned their draft cards. And of course this also goes for the retiree Tea-baggers who show up at their Tea Parties to inveigh against the government — except the agency that prints their social security checks, or the other one that pays for their liver transplants (while 40-million unretired, un-insured Americans under sixty-five get slammed with extortionary hospital bills for twenty-thousand dollar routine appendectomies that end up bankrupting them).
Meanwhile, the progressives led by President Obama are doing everything possible to deny the deep tectonic changes thundering through our economic arrangements. They have embarked on a campaign to sustain the unsustainable that will only aggravate and accelerate the more destructive effects of the historic changes underway. For instance, the financial crisis is nature's way of telling us that banking occupies too much space in our economy — especially the "creative" kind of banking which thrives on innovations in fraud and swindles. Yet the progressives are shoveling the nation's accumulated savings (and way beyond that to earnings-not-yet-saved) into a handful of gigantic banks whose employees live in a separate universe of luxury, and the bail-outs only guarantee more financial mischief based on efforts to get something-for-nothing — in the absence of an economy that turns capital investment into things of value.
Faced with the multiple threats of peak oil, the progressives are pounding billions into the automobile makers and shoveling tons of stimulus money into highway improvement projects, while the railroads we will desperately need in the future continue to be starved to death, and no effort is made to promote walkable communities — including a federally-led reform of our insane zoning laws which mandate a suburban development outcome in every corner of the country.
Faced with the hangover of a housing bubble, the president's team has insidiously nationalized the racket and is doing everything possible to keep housing prices unrealistically inflated, so that nobody still lucky enough to have a median income can afford the median price of a house. Meanwhile, the agencies used to facilitate this accounting shell game — Fannie Mae, Freddie Mac, Ginnie Mae, etc. — are choking on worthless mortgage contracts and generating ever more new toxic mortgage paper.
Then, there is the question of our military adventures half a world away in Afghanistan and Iraq, where both parties are unwilling to face the basic conundrum of what happens when our troops leave those places. Even if we stamp out the current Taliban leadership there are countless avid up-and-comers burning to take their places, and numberless mountain valleys for them to hide in. Al Qaeda, of course, exists mainly as an international computer network. Good luck stamping that out. And if it's oil we're after in Iraq, there are three main possibilities after the last US soldier packs out: one is the unlikely possibility that a competent Iraqi national oil company decides to dole out drilling licenses to "preferred" companies (don't hold your breath Exxon-Mobil); another is that Iraq cracks up into smaller ethnic units lacking the capital or coherence to get their oil out of the ground; and a third is that neighboring Iran comes to control the major oil-producing region around Basra. So, what's it all about, Alfie? — besides squandering a trillion dollars we don't really have.
Homeland security? Neither party is serious about defending the borders or limiting immigration, and anyway there are "soft" targets beyond counting all over the USA and small arms galore available to get the job done. Three guys with automatic rifles set loose in the Mall of America would be enough to push the retail sector over the edge into oblivion, taking with it the commercial real estate market and all the banks involved in financing it — in short, destroying the tattered remains of the so-called "consumer economy."
My own guess about where this all leads is in the direction of more anger and incoherence by all parties involved — which will itself generate yet more anger in a spiraling centrifugal feedback loop that could eventually tear this nation apart. It will be instructive to see how some of these forces play out in the Health Care Reform "summit" that President Obama has called for this week. The Republicans will be rope-a-doped into the uncomfortable position of trying to explain why they have no ideas whatsoever about fixing the hopelessly cruel and unjust medical system that everybody except government employees suffers under. The Democrats will be juked into the equally unhappy position of explaining how a bankrupt US Treasury pays for a more equitable system — and the insurance companies will sit smirkingly on the sidelines watching both parties fail to address the necessary severe disciplining of the insurance racket.
In the background of even these momentous deliberations, the foundations of capital creak and shatter, the stock market infarcts and the bond market fibrillates, and all the accounting tricks ever dreamed of in the fantasies of Harvard MBAs and MIT math PhDs, and all the newly-evolved species of grifters and shysters who pull the levers of the system will not avail to hold back our inexorable journey into new circumstances that will really determine the outcome of these predicaments
-- Visit the forum at: http://outfitnm.com/forum/ Read the BMN online at: http://outfitnm.com/category/brians-morning-newsletter Oh yeah, I turned the comments back on at http://outfitnm.com

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