Brian's Morning Newsletter
February 8th 2010

Good Morning
I'm even amazing myself with my painting skills. Perhaps it is beginners luck, if so I'll take it, and love it just the same. I don't know if I need to explain all the ways my painting differs from Renoir's, I think you can see when I post them side by side. Mainly he has talent, I have no idea what I'm doing. Don't worry I'm not going to let a lack of schooling slow me down, indeed, I've always been a very quick learner, and more so when the prospect of going to back school looms. Figuring things out on my own is how I learned every thing I know about computers and electronics, which isn't to say I look down on my three years at NMHU. It took everything I did in my life to get me where I am today.
Whatever. I'm just saying, School is cool, and certainly important. Regardless of all that schooling, I still can look at a Monet or in this case a Renoir and learn a great deal from looking very closely at the brush work and see what and how the artist did and or perhaps what he meant to do. Most importantly for me at this point in my life is the Impressionists and no doubt a million other professional (commercial) artists can make a pleasing painting in a matter of hours, less I suspect with the two paintings I used as a basis for mine. I have the utmost respect for this level of efficiency.
Looking at Monet's Boat studio, especially after I did my best to reproduce the reflection aspect, I see that he used one brush stroke for every hundred of mine. Obviously Monet and Renoir are virtuosos and I don't expect much from my pitiful attempts. Nevertheless, I still have personal ideas of what limitations I can tolerate and still be happy painting. Detail: I can't do detail, I don't have patience for detail, therefore I look at what the Impressionists do with simple brush strokes with the greatest respect.

magnified-monet_bateau-atelier
Above is one little section of Monet's Bateau Atelier, specifically the area of reflection. What I am drawing attention to is the individual brush strokes. Look at the beige. Do you see what I see? I believe Monet has at least three separate colors on his brush during the stroke. If this is true, how exactly did he reproduce the effect stroke after stroke. Wouldn't you think the colors would begin to merge quickly? One of my first lessons with color mixing, is that many colors blend together to create gray, very few create shades of brown and particularly difficult is keeping beige, beige.
Fascinating, I'm sure. Nevertheless, this is where I am at. Everyone suggests I move on to painting something I see, like the view out our window, not yet, I know I am not ready, I still have a lot to learn about color usage, before I can even begin to imagine that I could reproduce what I see out our window, and besides, there is way too much detail out there, and until I can learn how the Impressionists create these extremely alive feeling paintings with very little detail, I will be happy painting blurry; in my own "maybe I do need glasses" style works of art.
Happy Monday
Brian Rodgers
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Hi Brian
Today I wrote about the need to increase the top tax rate.
http://ericrogersviews.blogspot.com/
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Peace & Love
Eric
Keep it simple! It's easier that way.
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Hi Mike
You have never really "got" the sarcasm from the Onion's writers, so I'll let it go. I am very sorry to hear that you are supporting you son's entry into the military. You get very emotional when I write about my disdain for the military. I put a link for the definition of the word disdain, so you do not misinterpret again my feeling toward the military. We have a particular BMNer I won't mention the name out of respect who used to see the war in the same light as me, however when a grandson was killed in Iraq, the tune had to change, otherwise his life would have no meaning. I don't want to have to think about these kinds of things, I would rather my friends and their family stay out of that situation. There is nothing the Muslim extremists are doing that would make me send my son over there to be put in harms way, I repeat nothing. This may seem like a side trip on my part, if you would like to see what we're talking about go over to the forum and look at the flurry of activity there lately. http://outfitnm.com/forum/index.php?action=recent
Brian
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I thought it WAS a Monet when I first saw it. I like the way you're thinking re your art.
Just an observation. Look at the amount of white in the original and then in your impression. Your colors are all basically the same tone, medium to dark. Try seeing what adding some white does, especially in the water. Here's an example from Vincent. It's a night scene but look at how much white and white yellow is in it.
http://whodoesshethinksheisanyway.files.wordpress.com/2008/11/van_gogh_post.jpg
And from Monet's water lilies…
http://www.claudemonetgallery.org/Water-Lilies.jpg
Also, always love the scenes from your back door. Beautiful. Might make a good painting!
MB
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WOW MAN !!! the boat studio painting is just WAY TOO KOOL,mo-nay you aint?? damm Brian thats a pretty DAMM GOOD JOB,Dude eye didnt know you had it in you, REALLY, i cant express just how much eye was impressed,you go dude,the only bad point is you won't become famous until after you die,so its a good thing you are having fun, Phyllis and EYE will work on getting you some canvases,and maybe a few duckies for paints,KEEP IT UP BRO !!as for the yahoo thing it seems to be working fine today,must not have been anything in todays BMN to piss anybody off.back to the painting thing ….wow what can I do to encourage you ,really EYE AM IMPRESSED ,going to forward the BMN to phyllis so she can see your work/play/fun. WOW
"if eye dont see you no more in this world,eye'll see you in the next one and don't be late" jimi hendrix
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Re: Patriot Act: Here we go again!
Thank you for contacting my office. I have received your email and will be responding to your message soon. Sincerely, Rep. Ben Ray Lujan United States House of Representatives NM-03 ----------
Great letter to the editor from Bob Pearson in the 5 Sept. 2010 Optic.
pat
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http://www.lasvegasoptic.com/cgi-bin/c2.cgi?080+article+Opinion+20100204172751080080004
Las Vegas Optic
5 February 2010
Letters to the Editor
Letter: A final farewell to democracy?
By Robert E. Pearson
Recently five men in black robes took an action that may change the course of history. In ruling that corporations and unions have the same rights as persons to contribute unlimited amounts of money to political campaigns, the Supreme Court overthrew a century of practice and decades of legal rulings.
They were pledged to honor previous decisions, follow the intentions of the writers of our Constitution, and avoid making laws from the bench. Could such blatant “activism” by judges be consistent with the intentions of the writers of our Constitution? Certainly not with Thomas Jefferson, who wrote in 1816, “I hope we shall … crush in its birth the aristocracy of our moneyed corporations which dare already to challenge our government in a trial of strength, and bid defiance to the laws of our country."
What can we expect from this decision? The good news is that many groups are mobilizing to fight back, proposing such solutions as a constitutional amendment to invalidate the “personhood” of corporations and unions, or to establish public funding of elections at all levels.
If this ruling is not counteracted, the corrupting influence of corporate money will increase enormously over its already unacceptable level. If the oil and gas industry chose to do so, it probably, for a few thousand dollars, could install a county commission agreeable to its wishes. The right people elected to the state Supreme Court could ensure that only corporate-friendly decisions were taken.
A government answerable to “We the corporations” rather than to “We the people” will be secretive and oppressive in order to maintain its power, hasten the shift of money from the middle class to the wealthy, drain our resources through subsidies and repeated bailouts, and spend even more on the military to monopolize resources and forcefully expand markets.
What a distortion of democracy to equate the rights of individual persons and corporations! The latter are artificial organisms, like Frankenstein’s monster, and like that creature may take revenge on their creators. For us, we must educate ourselves on the issues and support the many efforts under way to recover our democracy and put corporations in their proper place.
Robert E. Pearson
Rociada
Way to say it Bob,
Thanks, and please ignore the descent to useless white noise when a few people try and dissolve a valuable discussion into another egotistical argument.
What those judges did was a slap in the face to every individual citizen. If we can not see this insult then maybe we are too dumb to save.
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Snow-Shovel Racing Went Downhill, but It's Getting a Second Chance
Speed Demons Really Dig It; The 'Shovelmeister Waxes Nostalgic
By MIGUEL BUSTILLO
ANGEL FIRE, N.M.—When life gets complicated, some happy-go-lucky souls like to hop on a shovel and hurtle down a mountain.
But now that lawyers are looming, snow-shovel racing is not as carefree as it used to be.
For three decades, the Angel Fire Resort here high in the Southern Rockies hosted an unusual competition: a poor man's luge of sorts, in which daring (and sometimes drunk) riders from around the country rocketed down the ski slopes on metal shovels at speeds topping 70 miles per hour.
Yet the irreverent tradition came to an abrupt end in 2005 because of growing liability concerns. The New Mexico resort got spooked by the reckless growth of a "modified" shovel racing subculture, which over time had turned some of the simple digging tools into death-defying speed machines, replete with roll cages and hydraulic braking systems.
This past weekend, Angel Fire resumed shovel racing's "World Championship" for the first time in five years, but with a big catch: Only old-fashioned metal grain shovels were permitted. Customization was confined to paint and wax.
To the sport's rabid garage tinkerers, who had begun attracting Formula One and dune-buggy enthusiasts with wind-tunnel-tested snow dragsters, it was akin to asking a NASCAR driver to take to the track in the family sedan.
"So it's just a sledding day," said John "Shovelmeister" Strader, a husky wild man who is the sport's most outspoken personality. "They've taken the teeth out."
To traditionalists, however, it was a welcome return of sanity for a pastime that started with bored ski-lift operators, got taken a tad too seriously by kamikaze competitors, and was careening out of control.
"People get worked up about losing the modified shovels, but at least we don't need an aircraft-carrier net anymore to stop people from crashing into the resort," said Gail Boles, a 47-year-old pharmacist from Taos and former world-champ shovel racer in both the modified and traditional competition.
He returned to defend his reputation Saturday in a lime-green speed suit and Chuck Taylor Converse high-top sneakers held together with duct tape. "This just makes more sense."
A spectacular wreck by Mr. Strader during the first Winter X Games in 1997 fueled fears that it was only a matter of time before a shovel racer died. That proved to be shovel racing's one and only appearance in the extreme-sports competition put on by broadcaster ESPN, and its last real moment in the limelight.
Mr. Strader, a 42-year-old radio producer, was the most seriously injured person hurt in the Winter X Games in 1997, having cracked his sternum, bruised his heart and broke his jaw, leg and back in three places in his wipeout. He said he had to declare bankruptcy because he couldn't pay his medical bills.
Chris Stiepock, vice president and general manager for ESPN's X Games franchise, said, "We really enjoyed having super-modified shovel racing in Snow Summit for the first Winter X Games," but ultimately decided it didn't fit the network's audience demographics.
For now, die-hards hope that the return of "production" shovel racing, the name given to competition featuring mass-produced hardware-store shovels, will spur interest in the more extreme varieties.
The spectacle of beer-bellied contestants in tights recklessly shooting down Angel Fire's 1,500-foot racecourse was far-out enough for some saucer-eyed visitors. "They must be completely insane," observed Wes Ferry of Austin, Texas, who was learning to ski at the resort for the first time.
For competitive reasons, aficionados are loath to reveal the finer points of shovel-racing technique, but the basics are simple:
Place your hindquarters in the shovel's rounded end, with the handle between your legs. Straighten your body and lean back as close to the ground as possible. Push off. Pray.
Steering can be attempted by subtly lowering a hand into the snow to correct course, but a speeding shovel has the maneuverability of a shooting cannonball.
Cardinal rule: Never grab the handle, as it only veers you more wildly off track.
Goofballs have been shovel sledding for some time. But the racing subculture originated in New Mexico's ski resorts during the 1970s, when lift workers grooming divots on slopes discovered that they could really scoot from one to the next on their shovels.
"Talk about flying by the seat of your pants!" said Jeff Jansen, 56, a former lift operator at New Mexico's Pajarito Mountain.
The extracurricular activities led to friendly one-upmanship, with rivals tweaking tools to achieve ever-greater speeds. An early prototype fused a shovel with a tricycle. The sport morphed into a cross between soapbox derby and bobsledding.
It peaked in the 1990s with rival race teams and bubble-shaped snow dragsters with shovels grafted to their underbellies. Mr. Boles, who says he blew his student loan money on one contraption after getting caught up in the arms race, recalled a goliath made from a B-52 bomber's fuel tank.
The sport's tamed revival this weekend was comparatively sober, clean fun. More than 100 riders raced time trials beneath turquoise skies. As "Still of the Night" by the rock band Whitesnake blasted over a sound system and contestants blew past, a commentator shared tidbits such as, "He once raced in the buff."
Shovels flew, but no one got hurt. Even the modified racing nostalgists called it a good time. Jeff Hamblin, who clocked a time of 13.4 seconds and reached a top speed of 63 miles per hour, won the men's championship.
The lineup was dotted with AARP-aged riders, including rookie Charlie Orr of Taos, who was lusting for an adrenaline rush two years after open-heart surgery.
Wearing a helmet festooned with the star of his favorite football team, the Dallas Cowboys, the 72-year-old retiree explained that he now realized life's finality, and wanted to savor every moment.
"I'm just here in case I have to scrape him off the bottom," chimed in his wife, Shirley.
But most of the riders were families for whom racing on metal implements has become a generational rite of passage. Child competitors even spawned a subcategory: "little scoops."
Kelly Haukebo, 46, an Angel Fire real-estate agent who is considered shovel-racing royalty, imparts her wisdom to her three children—Sepp, 25, Niko, 15, and Gentry, 12—and dreams of creating a dynasty.
A grisly 5-inch scar—the remnant of a wrist fracture that required six screws and a titanium plate to fix—stands as proof that she understands the dangers of her oddball sport.
Yet as Ms. Haukebo watched daughter Gentry crouch into the family shovel, "Old Rusty," at the top of the steep run, the mother said she felt only parental pride. "I want her to feel the thrill of victory."
When the time trials were through, Ms. Haukebo stood again at the shovel-racing summit, as women's world champion. And she had company.
Son Niko won the junior world title, while Gentry placed third.
-- Visit the forum at: http://outfitnm.com/forum/ Read the BMN online at: http://outfitnm.com/category/brians-morning-newsletter Oh yeah, I turned the comments back on at http://outfitnm.com
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